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Posts Tagged ‘jason-rosenthal’

Ning CEO Gina Bianchini is being replaced as the CEO of Ning by COO Jason Rosenthal. Bianchini founded the DIY network of social networks with Marc Andreessen. But after five and half years at the helm, she is ready to try something new. She will transition to an entrepreneur in residence role at Andreessen Horowitz, the venture capital firm started by Andreessen.

In a blog post, Andreessen (who remains chairman of Ning) notes:

Ning today is one of the world’s top social networking properties, with more than 2.3 million user-created Ning Networks and more than 45 million registered users, and is far and away the market leading social platform for interests and passions. Ning Networks span every area of human endeavor, from the arts to business, politics to social activism, and every other field you can think of. Over 5,000 new Ning Networks are created every day, and we’re adding a million new registered users every 12 days

Over the past year, Ning’s unique worldwide visitors have doubled to 20.7 million, according to comScore, which is still much smaller than other social networks such as Hi5 (46.5 million) or LinkedIn (42.8 million). But at least it’s bigger than Friendster’s 15 million. Andreessen notes that Ning will continue on the same course under Rosenthal.

A trio of entrepreneurs who led online advertising technology company Accipiter to an acquisition by aQuantive – which was in turn acquired by Microsoft for $6 billion in May 2007 – have returned to startup life after serving a variety of roles in advertising and sales at the Redmond software giant.

Jeff Wood, Guy Taylor and Ryan Treichler are today announced their new company, aiMatch, as well as the limited availability for “early adopters” of its online ad technology platform. In addition, the threesome said they have also convinced former Head of Publisher Solutions EMEA for Microsoft Advertising Steve Perks to join the club.

So what does aiMatch do? According to the press release, the company aims to put advertising intelligence (hence the “ai” in the name) in the hands of online publishers, helping them create new audiences and revenue opportunities, while at the same time maximizing the value of their advertising inventory.

The company will provide a solution for online publishers to create, forecast, deliver and analyze online ad products based on an open platform that it says is able to communicate with value-add systems for aggregating data into one actionable view.

In the words of Jeff Wood, former VP of Publisher Sales at Microsoft Advertising and now CEO at aiMatch:

“While so many solution providers have been focused on helping publishers monetize remnant inventory, we recognized that publishers invest heavily in their content and need new tools to increase the value of their direct sold products. That is why we are dedicated to offering solutions that leverage advertising intelligence to maximize their return on that investment.”

As mentioned earlier, aiMatch’s online advertising platform is currently only open to some early adopters, with full availability scheduled for June 2010.

As Apple goes on the offensive against Android, it risks alienating more and more developers. Today, another prominent developer is chose the opposing side. Tim Bray, the well-known software architect and blogger, is joining Google to help rally even more developers around the Android mobile operating system.

Bray is the co-inventor of the XML Web standard, and most recently worked at Sun Microsystems. In a blog post, he explains that he is drawn to Google in part because he hates the iPhone, or at least its closed and controlling environment from a developer’s perspective.

The iPhone vision of the mobile Internet’s future omits controversy, sex, and freedom, but includes strict limits on who can know what and who can say what. It’s a sterile Disney-fied walled garden surrounded by sharp-toothed lawyers. The people who create the apps serve at the landlord’s pleasure and fear his anger.

I hate it.

He also notes that Android is catching up to the iPhone in terms of sales:

As of now, they’re selling around 90K iPhones per day compared to around 60K Android handsets. It’s a horse race!

In February, Google noted partners are selling 60,000 Android handsets a day, and Apple sold 8.7 million iPhones last quarter, or about 97,000 a day. Android is making steady gains in market share.

Bray’s decision to throw his hat into the Android ring is just the latest example of a growing backlash among developers to Apple’s autocratic ways. Facebook developer Joe Hewitt famously quit the iPhone over similar issues. Apple cannot afford to alienate developers because, given the choice, they will shift their attention and their apps to other platforms.

Unless you’ve been living under a rock for the last couple months, you know that Toyota has had problems with sudden acceleration of some of its vehicles. Apparently, the root cause of the problem is still unknown, which is a little troubling to the average consumer. Toyota claims to be doing everything they can to investigate, but that doesn’t seem to be enough. Now everyone and their brother are suddenly product design engineers and have the gall to tell Toyota what to do and how to do it.

Witness this opinion piece in the LA Times by David M. Cummings entitled “Haven’t found that software glitch, Toyota? Keep trying“. Mr. Cummings worked on the Mars Pathfinder project for NASA, so he has some credibility to his name when it comes to software design and product testing. But his opinion piece seems to completely miss the point of the PR nightmare that Toyota is dealing with.

Waiting in line for movie tickets is still the worst part of going to the movies (unless you are going to see The Bounty Hunter). With so many mobile phone movie apps, it’s easy to find what’s playing at nearby theaters and even purchase tickets right from your mobile phone, but then you still have to get a paper ticket from the dispenser or the ticket agent. But your ticket could easily be delivered to your mobile phone via a 2D barcode.

Today, Fandango is launching a mobile ticket program in eight cities which lets moviegoers finally go paperless. Your ticket is delivered to your mobile phone via an SMS or MMS message linked to a 2D barcode, which the ticket-takers can scan. Movie theaters need to equip their attendees with special scanners, which is why it is only available in a few markets. (MovieTickets.com is testing a similar program).

Here are the theaters participating in Fandango’s initial rollout:

• New York: City Cinemas 1, 2 & 3, Angelika Film Center, East 86th Street Cinemas, Village East Cinema, Beekman Theatre, The Paris Theatre.
• New Jersey: Manville 12 Plex.
• Houston: Angelika Film Center.
• Dallas/Plano: Angelika Dallas; Angelika Plano.
• San Diego: La Mesa Grossmont Center, Clairemont Town Square Stadium.
• Bakersfield: Valley Plaza 16.
• Sonoma County: Rohnert Park 16.
• Hawaii: Ward Stadium, Kahala Theater, Kapolei 16, Mililani Stadium.

Between the geolocation wars of Facebook and Twitter and the flux of geolocation-based social networks and mobile apps that have been hitting the market recently, the competition is tough. Today, mobile networking startup NearVerse, is launching a free iPhone app, called LoKast, which allows people to share media between iPhones at super-fast speeds. The kicker: the app connects people in its network based on proximity.

LoKast, which is actually short for “local-casting,” allows you to set up a profile that will list all of your photos, selected contacts, videos, web links and music on your mobile phone. You can select which content you’d like to include to the public and which content you’d like to keep private. When a LoKast user is in proximity (300 feet) of other LoKast users, the app will automatically discover other users nearby and allow the user to view and download their content. For example, you can see the iTunes library of any user who is in close proximity to you. You can choose to download a 30-second clip of any song to your own profile and can also follow the link to the iTunes store to purchase the music (LoKast collects an affiliate fee for this, of course). Similarly, you can download photos, videos and even contacts from other users into your profile. You’ll also soon be able to share apps on your phone with other users.

The beauty of Lokast is that it has its own internal network; eliminating the need for 3G connectivity to run the app, as LoKast works in subways, underground and heavily congested areas such as stadiums, where 3G connectivity is unreliable. The startup’s app is effectively all network based and currently has five patents for its proprietary technology.

LoKast is also partnering with bands to help market their content to users. LoKast has struck deals with music distribution companies including The Orchard, IODA and Monalis 360 to provide users with exclusive content within the LoKast app. And production companies, such as Mark Cuban’s Magnolia Pictures, are also using the service to promote their new films.

LoKast will soon be launching an Android app, and plans to launch integration with Facebook Connect. The app itself is incredibly simple to use and seems like it has potential to be a great way to share content on your mobile phone. Of course, some people may not feel comfortable sharing their personal content to complete strangers, so that may be a barrier for certain users.

Over the last few months celebrities have become something of a currency on the social web as services vie to attract big-name stars (and gather the resulting media coverage and new users in the process). Twitter has garnered the most attention for its roster, which includes celebrities like Ashton Kutcher and Oprah. Facebook too has been making strides in this area, especially since releasing its redesigned ‘Pages’ that allow celebrities and brands to broadcast their updates to fans.

Another contender in the celebrity hunt is social network platform Ning, which is already home to a number of social networks dedicated to celebrities, politicians, and musicians. Today, the company has announced that it has forged a partnership with The Collective, a management company whose clients include Enrique Iglesias, to create custom networks for a number of The Collective’s biggest clients.

Along with Enrique, Collective clients including comedian Eddie Izzard, and actors John Leguizamo and Taylor Momsen will be deploying their own social networks on the platform. And some clients, including The All American Rejects, Staind, and the Plain White T’s have already launched their own Ning networks as their homepages.

I spoke with The Collective partner Aaron Ray, who says that while the company’s artists will continue to maintain presences on other networks where appropriate, Ning has offered a greater degree of access to support personnel than other social networks have - clearly the site is going out of its way to foster its relationship with celebrities. But Ning SVP of business operations Jason Rosenthal says that the company is only interested in working with celebrities that will use their Ning networks to truly connect with fans, not just as vanilla corporate celeb properties.

Rosenthal also says that while many celebrities maintain presences across multiple sites, they tend to use Ning as their central hub, with their other profiles serving as satellite ’spokes’ linking back to their social networks. This isn’t surprising given the increased level of control a celebrity has over their Ning network, than say, a Facebook page. But celebrities won’t be dropping the other services any time soon - a Ning network may offer a richer experience, but casual fans are more likely to subscribe to a celebrity’s Twitter feed or Facebook page than they are to join an entirely new social network.

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Ashton Kutcher got his start on the small screen. His roles in That 70s Show and development of the MTV show Punk’d (which is being kind of reborn with Ustream) allowed him to become a movie star. But these days he seems more interested in using the web to further his career. His recent race with CNN to be the first user with a million Twitter followers was just one facet of what he’s doing online. He also has his own web-based show Blah Girls. But now he’s sending that the opposite way: Back to television.

Katalyst Media, the production company Kutcher runs with Jason Goldman, has signed a deal with CBS Television Distribution (CTD) to distribute Blah Girls on television. Specifically, the show will run as one-minute interstitials between segments on the entertainment magazine show, The Insider. While the show has run on the web since its launch during TechCrunch50 last June, a television distribution deal has always been a part of the broader goal for the content. And CBS has a larger development deal with Katalyst Media, so this is simply an extension of that.

Still, it’s a bit odd that Kutcher is taking the show to television after going on and on about how his race to a million followers showed that individuals could trump huge media conglomerates. And he beat CNN, but he still apparently needs CBS. Why? Because there’s money there of course, and it’s still tough to monetize an online video venture.

But Blah Girls will continue on the web as well, and I’m sure the CBS gig will get it some good exposure. Find a Mother’s Day episode of Blah Girls below.

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